Improvisation as Creative Strategy in Nigerian Digital Comedy: An Analysis of Contemporary Acting Techniques

Abstract

The study examines contemporary acting techniques in selected Nigerian digital comedy skits, focusing on improvisation and the relationship between indigenous Nigerian performance traditions and contemporary digital acting practices. Despite the growing popularity of Nigerian digital comedy, limited scholarly attention has been given to the specific acting techniques through which performers adapt theatrical practices to the demands of digital platforms. The study therefore examines the acting techniques employed in selected three selected Nigerian digital comedy skits makers: Debo Adedayo (Mr. Macaroni), Samuel Perry (Broda Shaggi), and Maryam Apaokagi (Taaooma) to analyse two (2) of their works each. The study interrogates the use of improvisation for characterization and spontaneity.  Data was collected through observation, documentary sources, and relevant materials and analysed descriptively using content analysis, supported by Digital Performance Theory. Findings reveal a convergence between traditional improvisational techniques and the compressed demands of digital screen performance. This hybridisation enhances dialogue delivery, spontaneous characterization, physical comedy, emotional expression, comic timing, originality, and audience engagement. The study concludes that Nigerian digital comedy constitutes an evolving performance space where indigenous performance sensibilities intersect with contemporary digital acting techniques. It recommends stronger collaboration between practitioners and digital content creators to improve professional acting training and encourage content creation for social change.